After dabbling in Audacity by cropping my Foley recordings down to the most suitable clips, it was time to bring the final sound bites into Logic Pro to mix the track for my pre vis animatic.
As this was my first proper dabble in the Logic Pro Software I called on the help of the NUA studio technician Sam Barnes who was kind enough to hold my hand through basic editing and manipulation of the tracks.
I was referencing a personal favourite song of mine from 1995 by FSOL (Future sound of London) called Amoeba:
The track begins with a female vocal chord which has been manipulated and repeated to create a rhythm, I wanted to replicate this for the opening sequence of my shot to create an element of sophistication and ambience. Initially I had recorded my own vocal which I was hoping to manipulate to work, however it quickly became clear that it was not going to work. Fortunately Logic comes with pre recorded female vocals that can be laid down using the key board, once I had overcome the interface I was able to compose 2 tracks of vocals which I edited to replicate the intro of the FSOL piece.
Once I was happy with the female vocal as a base I began to bring in the various Foley sound bites to layer up the mix. by the end of the session I had imported and arranged the wind, water and stone atmospherics, these will need to be tweaked in order to break up the frequencies by adjusting the EQ levels, I was also advised to move the sound between the left and right sides of the speakers to help fill the space the sound is representing.
Below is a screen grab of the results of the 1st Foley session: